Ken Sehested
Invocation. “Inspired by Love and Anger.” —Iona Community
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Where there is great love there are always miracles. — Willa Cather
Ken Sehested
Invocation. “Lord dear Lord I've loved / God almighty, God up above / Please, look down and see my people through / God dear God I've loved / God almighty, God up above / Please, look down and see my people through / He'll give peace and comfort / To every troubled mind / Come Sunday, oh come Sunday / That's the day.” —“Come Sunday,” Duke Ellington featuring Mahalia Jackson
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Processional. “Lift Every Voice and Sing.” —aka the Negro National Anthem, James Weldon Johnson, performed by the Howard Gospel Choir
Call to worship. “Beware of those who pray pretty, but live ugly. Who drink in Jesus, but spit out hate. Who pursue a Christian nation, but not the Sermon on the Mount. Who boast of faith, but rely on fear. And who hear God’s promises of abundance, but not God’s cries for sacrifice, servanthood, humility, and compassion. Jesus is not there.” —Chris Kratzer
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Invocation. “Generals gathered in their masses / Just like witches at black masses / Evil minds that plot destruction / Sorcerer of death's construction / In the fields, the bodies burning / As the war machine keeps turning / Death and hatred to mankind / Poisoning their brainwashed minds / Oh, Lord, yeah / Politicians hide themselves away / They only started the war / Why should they go out to fight? / They leave that role to the poor, yeah / Time will tell on their power minds / Making war just for fun / Treating people just like pawns in chess / Wait 'til their judgement day comes, yeah.” —"War Pigs,” Black Sabbath
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“Why stand ye gazing . . . ? (Acts 1:11)
Invocation. “As my soul slides down to die. / How could I lose him? / What did I try? / Bit by bit, I've realized / That he was here with me; / I looked into my father's eyes. / My father's eyes. / I looked into my father's eyes. / My father's eyes.” —Eric Clapton, “My Father’s Eyes”
Ken Sehested
Processional. “I’m gonna tell you fascists / You may be surprised / The people in this world / Are getting organized / You’re bound to lose / You fascists bound to lose / Race hatred cannot stop us / This one thing we know / Your poll tax and Jim Crow / And greed has got to go / You’re bound to lose / You fascists bound to lose.” —"You Fascists Bound to Lose," Woody Guthrie, performed by Resistance Revival Chorus with Rhiannon Giddens
Call to worship. You may have seen this social media meme. It’s a painting, of a woman in Victorian style dress, and the caption reads: “These days most of my exercise comes from shaking my head.”
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There’s never an appropriate time to die. But if there was, Walter Brueggemann’s passing was well timed: In the last week of Eastertide (he was an Easter man if ever there were one, though never out of sight of the crucifixion) and days before Pentecost’s outburst. I can imagine the Heavenly chorale jumping the gun just a bit to offer an exuberant rendition of Jerry Lee Lewis’ “Great Balls of Fire” as Brueggemann passed through the Pearly Gates:
“You shake my nerves and you rattle my brain / Too much love drives a man insane / You broke my will but what a thrill / Goodness gracious, great balls of fire.”
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The English translation of “El Shaddai” as “God Almighty” is misleading, because “almighty” suggests omnipotence, the capacity to overpower or destroy. Whereas “Shaddai” infers sufficiency and nourishment (i.e., “blessings of the breasts and of the womb”) and implies a certain fecundity.
Ken Sehested
Invocation. “Satan, we're gonna tear / Your kingdom down (Lord, Jesu') / Oh, Satan, we're gonna tear / Your Kingdom down (oh Yes) / You've been building your kingdom / All over the land / Satan, we're gonna tear / Your kingdom down, down (yes).” —“Satan, We’re Gonna’ Tear Your Kingdom Down,” Shirley Caesar and The Young People’s Institutional Choir of Brooklyn
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Parade. Palestinian band escorting the Orthodox Patriarch on Palm Sunday from The Church of the Holy Sepulcher in Jerusalem.
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